Anyone who has seen Fiddler on the Roof knows that Hodel, Tevye’s second daughter, gets on a train to Siberia early in the musical’s second act and is never heard from again. In her novel, After Anatevka, Alexandra Silber, imagines Hodel’s life in prison camps in Siberia with her Socialist husband, Perchik.
While After Anatevka features many characters and scenarios from Fiddler on the Roof, knowledge of the musical is not necessary to read and enjoy the novel. Silber introduces each of the characters and provides all necessary background information.
There has been a lot of buzz surrounding the current revival of Hello, Dolly!, especially around its star, Bette Midler. Starting on June 13, Donna Murphy began playing Dolly Gallagher Levi on Tuesday evenings. It is absolutely worth seeing Hello, Dolly! twice because Donna Murphy is giving a sensational performance as the meddling matchmaker.
Hello, Dolly! chronicles the exploits of Dolly Levi (Donna Murphy) as she tries to convince a Yonkers businessman, Horace Vandergelder, to marry her. While their boss heads to NYC to march in a parade, Horace’s employees, Cornelius (Gavin Creel) and Barnaby (Taylor Trensch) head to NYC as well on a mission to find love. Also wrapped up in Dolly’s shenanigans are a widowed hat saleswoman, Irene Malloy (Kate Baldwin), and Horace’s niece, Ermengarde (Melanie Moore).
Roman Holiday, a charming musical based on the 1953 film starring Audrey Hepburn and Gregory Peck, is now playing at SHN’s Golden Gate Theatre through June 18th.
The musical follows Princess Anne (Stephanie Styles) of an unnamed European country who decides she needs a taste of how non-royals live as she ends her European tour in Rome. Anne runs away from her country’s embassy and happens upon a reporter for American News Service, Joe Bradley (Drew Gehling). Sensing a story, Joe takes Princess Anne on a tour of Rome. Joe also invites along his friend Irving (Jarrod Spector), a photographer, to take photos to accompany his news story. Continue reading
When Miss Saigon first appeared on Broadway in 1991, the Vietnam War would have been in the fairly recent memories of its audience members. In 2017, however, the musical is outdated.
Miss Saigon, based on Puccini’s Madame Butterfly, begins as the American troops are preparing to leave Saigon in 1975. At a dive bar known as Dreamland, an American GI named Chris (Alistair Brammer) meets the bar’s newest dancer, Kim (Eva Noblezada), and he immediately falls in love with her. He makes a deal with the bar’s sleazy owner, known as the Engineer (Jon Jon Briones), to allow him to spend the night with Kim. Kim and Chris immediately fall in love and begin to make plans to leave Saigon together to go to the United States.
Once in a while, a show comes along in which actors, choreography, music, and set come together so beautifully that one can’t help but be moved. This is the case with Bandstand, which is currently in previews at the Jacobs Theatre.
Bandstand follows Donny Novistski (Corey Cott), a piano prodigy who has recently returned to Cleveland from serving in the South Pacific in World War II. He hears about a “Tribute to the Troops” music contest that could get him and his music into a movie. Donny sets out to put together a band of fellow veterans of the war. The band’s lead singer, Julia Trojan (Laura Osnes) is the widow of Donny’s best friend from his unit. Continue reading
In Transit, Broadway’s first a cappella musical, is an upbeat musical that fans of Love Actually will love.
Similarly to Love Actually, In Transit follows the lives of several people. As the musical progresses, the audience discovers how these people are all connected. In Transit particularly centers around Jane (Margo Seibert), a 33 year old actress, who is stuck in a temp job as she waits for her big break. Each of the New Yorkers in In Transit is “stuck between stations” on the way to where he/she wants to go.
Groundhog Day, based on the 1993 Bill Murray film of the same name is now in previews at the August Wilson Theatre. The musical remains faithful to the film while taking advantage of the theatrical medium. Continue reading